Sophie Menin 3/7/17 Sophie Menin 3/7/17

The Pirate of Dogliani

The  San Fereolo Vineyards in Dogliani. (Photo by Joanie Bonfiglio) — The San Fereolo Vineyards in Dogliani. (Photo by Joanie Bonfiglio)

Sometimes a wine refuses to play to type. Take Dolcetto. Conventional wisdom has it that this classic Piedmont grape makes soft, round and fruity wines meant to be consumed young, while your Nebbiolo is in the cellar maturing. Even the best examples are measured against these modest expectations. Yet after tasting San Fereolo Dogliani, a Dolcetto of structure, aroma, texture, earth and dark austere fruit, this paradigm no longer rings true. Unmistakably a wine of Piedmont, it had little in common with the easy drinking wines normally associated with the variety. It demanded a broader view of the grape’s potential.

The manager at Eataly Vino told me that the San Fereolo needs to be appreciated in context of wines from the town of Dogliani, a DOCG just south of Barolo at the foot of the Alps, where Dolcetto vines are awarded pride of place alongside hazelnuts trees and untamed forests. As I tasted other bottles from Dogliani, it was clear that Dolcetto di Dogliani is a darker, deeper and more structured creature than Dolcetto from its neighbors to the north. Still, the San Fereolo stood out. There was something beyond a sense of place that informed its remarkable depth. So I wrote a fan letter to the estate’s importer, Rosenthal Wine Merchants, and arranged to speak with the owner, the passionate iconoclast and accidental winemaker Nicoletta Bocca.

Twenty-five years ago, Nicoletta was living in Milan and working in fashion and industrial design when her friend Alessandro Fantino, the owner and winemaker of the Barolo estate A&G Fantino, said, ‘I want to take you to one of the best places I have ever seen to live.’ He drove Nicoletta and her husband to Dogliani where at the crest of a hill covered with overgrown vineyards they saw a fantastic house in complete disrepair next to an octagonal church. ‘It was a dream place for people from Milano,’ she recalls.

Nicoletta's connection to the region ran deeper than agrarian fantasy. During WWII, her father fought as a partisan alongside the esteemed Barolo producer Bartolo Mascarello. The men stayed close and twice a year throughout her childhood she and her father would visit Bartolo to stock up on wine and food. For much of that time Alessandro Fantino was the Mascarello estate’s oenologist and vineyard manager, and the circle of friendship grew.

‘Promise me you won’t clear the Dolcetto vines,’ some of which dated back to 1936, Alessandro told her when she purchased the house. ‘We’ll take care of them the first year and then you can make a choice.’

Life in the vineyard changed Nicoletta. Viticulture became a kind of Zen discipline. ‘In Milano, if you want to work late into the night, you turn on the light and you work,’ she observes. ‘Here you are not your own master. You are part of nature. You have understand what is around you and work only when the light and the weather permits, on the timetable dictated by the vineyard.’

In 2004, she studied biodynamics to deepen her knowledge of grape cultivation and the vicissitudes of nature, and she now maintains her vineyards according to its strict principles. The practice is essential to her, but also only a starting point, a means to pristine raw materials. ‘If you are working organically or biodynamically and think that is the goal, you are on the wrong path,’ she stresses. ‘Biodynamics help you take character from your terroir. It is a tool for having a wine that speaks about the place, grape and vintage.’

When you ask Nicoletta what sets the San Fereolo apart from other Dogliani, she launches into a description of her winemaking practices. Picking the grapes when the tannins in the seeds ripen; fermenting in large wooden vats using ambient yeast; macerating the juice on the skins for at least twenty days; leaving the wine in barrel on its lees for two years; and then cellaring the individual bottles for another four years before releasing the wine to market, ready to drink.

The regime is grounded in the dual nature of the Dolcetto grape. Translated literally, Dolcetto means ‘little sweet one,’ but it has two faces: one is the fruity side you taste when you bite into it, the other is the polyphenols and tannins that come from the seeds when they ripen. Nicoletta's winemaking practices are dedicated to harvesting the spicy earthy aromas that come from the seeds when the grapes are ready to be picked.

‘You have a choice,’ she says. ‘You can have a short maceration and a fruity wine that tastes like everyone else’s, or you can behave like Dolcetto is a serous wine and focus on extraction. For me, it’s like being in the ocean. You can’t run away from the big wave, you have to dive through it. I dive into the wine and accept all of its characteristics, then I find a new balance.’ The long maceration is the deep dive. The new balance is achieved through the extended time the wine spends in the barrel and the cellar before release, this gives the tannins and polyphenols the opportunity to soften and integrate leading to an elegant wine with restrained dark fruit, structure and persistence.

'My colleagues complain that nobody understands Dolcetto,’ she elaborates. ‘But nobody is making the effort to show people that the wine can really be interesting. It’s like being in love with a woman you fear doesn’t know you exist and giving up instead of fighting to get her attention.’

Nonetheless, Nicoletta’s uncompromising vision for Dolcetto is not fully rewarded in the market. Most consumers will pay more for a mediocre bottle of Nebbiolo fermented in stainless steel than the wine she dotes on, and will question why they should purchase her Dolcetto when examples from Alba can be had at at third of the price. Meanwhile, leading Barolo producers often sell fresh and fruity Dolcetto as entry-level offerings, at the same time they are buying prime Dogliani vineyards to make Langhe Nebbiolo, which is also more profitable that Dolcetto made under the Dogliani DOCG label.

‘Nobody in Barolo said, we are going to say that Dogliani is not an important wine so that the farmers will be so poor that we can come and buy their land,’ Nicoletta reflects. ‘But that is what happened. Whenever I can get in the car and turn my back to Barolo I feel relieved. When I can no longer see Monforte d’Alba, I am like a pirate in the Caribbean with my ship!’

That's not to say Nicoletta has limited her efforts to Dogliani. Last winter, she attended a conference in Rocca Ciglié, a town in the Piedmont’s Cuneo province near Liguria. Set at a higher elevation and closer to the sea than Dogliani, Rocca Ciglié has been touted as prime vineyard land for Dolcetto since the eighteen fifties. The event’s purpose was to begin to revive life in the village and to find people to lease the town’s ancient vineyards, because its population is aging and its young people are moving away. 'I bought land,’ Nicoletta admits. ‘I arrived just in time. One year later and the vineyard would not have been there anymore. The man who was farming it couldn't go on being old and without help.’

‘Old vineyards are treasures full of the wisdom of plants. Losing them is painful,’ she adds. ‘I hope to do my best for this place and for the people who worked there long before I was born.’

In the fall Nicoletta harvested the grapes for her debut Dolcetto di Rocca Ciglié. Given the high altitude and fresher temperatures, the tannins in the seeds were greener than she is accustomed to. Still, she made a long maceration after which she tasted the wine. The Rocca Ciglié had lower alcohol and more aromatics than her Dolcetto from Dogliani, yet showed no signs of bitterness. Beyond the local climate, she attributes the difference to the region's ancient soils coming from a place deeper down in the ocean.

It appears that the world of premium Dolcetto is about to have an important new reference point from Nicoletta Bocca, the Pirate of Dogliani.

10 Wines Dogliani

San Fereolo, Dogliani DOCG, 2008, $31

San Fereolo, Valdiba, Dogliani DOCG, Piedmont, 2014, $20

Marziano Abbona, Papa Celso, Dolcetto di Dogliani, Piedmont, 2015, $20

Chionetti, Briccolero, Dogliani DOCG, 2008, $22

Francesco Boschis, Sori San Martino, Dogliani DOCG, 2010, $22

Pot Roasted Leg of Lamb with Garlic & Olives

The dark earthy fruit and integrated tannins of the San Fereolo Dogliani complement this fork-tender lamb with a rich savory sauce of olives and herbs.

Ingredients for 6-8 servings

¼ cup extra-virgin olive oil
1 whole leg of lamb, bone in and trimmed, 6-8 lb.
salt and freshly ground black pepper
1 large yellow onion, diced
1 cup tomatoes, peeled seeded and chopped
1 head garlic, cloves individually peeled and crushed
1 bunch thyme, tied with kitchen twine
2 cups dry white wine
1 cup niçois olives, pitted
1 cup chicken or vegetable stock, preferably homemade*

Place a large heavy-gauge roasting pan on the stovetop so that it stretches across two burners. Warm the pan over medium heat. Add the olive oil. Season the entire lamb with salt and pepper. Once the oil is warm, add the lamb to the pan and slowly sear the exterior, turning occasionally until the roast is golden brown on all sides, about 30 minutes.

Add the onions and cook, stirring occasionally, until they begin to take on a straw color, about 20 minutes. Reduce the heat to low and add the tomatoes, garlic, thyme and ¼ cup of white wine. Cover with a lid or heavy gauge aluminum foil and braise the lamb for 30 minutes, then turn the lamb, add another ¼ cup of wine, cover and continue cooking for another 30 minutes. Repeat this for two hours, until all the wine has been used. Add the olives, cover and braise for another 30 minutes.

Transfer the lamb to a cutting board tented with aluminum foil and let it rest for 10 minutes. Meanwhile, over a low flame, whisk t1/4 cup of chicken or vegetable stock at a time into the sauce that has accumulated at the bottom of the roasting pan, until it has the consistency of a thick gravy. Season to taste with salt and pepper and transfer to a small bowl.

Slice the lamb against the grain. Arrange on a warm platter. Ladle just enough of the garlic and olive sauce over the lamb to keep the meat moist, and then pass the remainder of the gravy around the table for guests to help themselves.

*If you don’t have homemade chicken stock on hand, while the lamb is cooking combine 3 cups of water, a peeled carrot, a celery stalk and one leek, onion or shallot. Bring the mixture to a boil, reduce the heat and let it simmer for 30 minutes. This stock will be far more flavorful then prepackaged chicken stock, unless you have access to fresh made stock from a specialty market.

Sophie Menin 5/1/15 Sophie Menin 5/1/15

Women in Wine: The Young Guns

For the latest generation of women winemakers, there has been no single path to success. The spectacular career of Ntsiki Biyelais a case in point. Raised in the rural South African province KwaZulu-Natal, Ntsiki Biyela had never tasted a sip of wine before South African Airlines offered her a full scholarship to study oenology in Stellenbosch. Afterwards, in 2004 she joined STELLEKAYA as a junior winemaker, where she was given responsibility for the entire cellar a year later, becoming the first black woman and first Zulu in South Africa to hold the title head winemaker. It was a bold choice for the winery, but a wise one. In 2009 the agricultural magazine Landbouweekblad named Biyela South Africa’s Woman Winemaker of the Year.

Oenology school followed by travel has been an effective formula for the young, talented and ambitious. After studying at Lincoln University in Christchurch, New Zealand, and working stints in the Margaret River of Australia and in Sicily, Italy, Tamra Washington was invited to return home to Marlborough, New Zealand, to launch YEALANDS ESTATE WINES. Molly Hill studied at the University of California at Davis then cut her teeth at DOMAINE CARNEROS and SEA SMOKE before becoming the winemaker at SEQUOIA GROVE in the Napa Valley. Renae Hirsch spent a decade acquiring skills at wineries across the globe before being offered a position at the helm of HENRY’S DRIVE in Padthaway, Australia.

In recent years, young women vintners have earned distinguished international reputations as leaders in minimalist winemaking, as witnessed by the fine wines produced and the acclaim bestowed upon Arianna Occhipinti of OCCHIPINITI in Sicily, Italy; Magali Terrier of DOMAINE DES 2 ANES in the Languedoc-Roussillon, France; and Nadia Verrua of CASCINA TAVIJN in Piedmont, Italy.

It seems counterintuitive, but women born into the world’s most prestigious wine making families often have to work the hardest to prove themselves worthy of a hand in cellar. Alix de Montille of DOMAINE DE MONTILLE in Burgundy, France, was required to study law before earning her diploma in oenology. Today she crafts the white wines for DOMAINE DE MONTILLE and MAISON 2 MONTILLE, the boutique négociant label she established with her brother. María José López de Heredia earned degrees in both law and theology before learning viticulture and winemaking. She is now the general manager of her family’s venerated Rioja estate R. LÓPEZ DE HEREDIA. And in perhaps the world’s longest audition for the role, fourth generation Argentine vintner Laura Catena graduated magna cum laude from Harvard University then earned a degree in medicine from Stanford University before becoming part of the winemaking team at BODEGA CATENA ZAPATA, her family’s winery in Mendoza, Argentina, where she is now general manager.

Sophie Menin 11/6/12 Sophie Menin 11/6/12

Entertain Like an Antinori

Cantinetta Antinori opened in 1957 on the ground floor of the family’s ancestral home in Florence. Palazzo Antinori, as the trattoria is known, is an homage to the medieval tradition whereby aristocratic families sold delicacies from their country estates by offering those dishes through small windows in the wine cellars of their city residences. Over time, what began as a small shop featuring the Antinori’s wines and olive oils evolved into a popular sixty-seat traditional Tuscan restaurant.

Allegra Antinori, a 41-year-old mother of two with luminous green eyes, oversees the Cantinetta in Florence, along with outposts in Vienna, Zürich and Moscow. She also manages hospitality at all the Antinori estates. Her job could be described as demonstrating her family’s commitment to authenticity and finesse through food, drink and generosity.

Allegra believes that wine should be an emotional experience. She wants her guests to use their senses to perceive perfumes, tastes and textures and respond to wine viscerally, the way they might to a piece of music or a work of art. She fosters environments at the restaurants and estates that encourage this kind of experience by entertaining elegantly without being overly formal or excessive. She greets guests with a glass of wine, sits everyone at one long table, serves family style and always has something boiling on the stove.

In early October, Allegra brought Cantinetta Antinori to New York City as a pop-up restaurant at the Mondrian hotel in Soho. The scene was set as if for an opera, complete with faux marble walls, a replica of the Antinori family tree dating back 26 generations, and a long communal table. The 2008 Tignanello, the most important current release in the family’s portfolio, was served with the simplest dish, gnudi, a dumpling made of spinach and ricotta served in a tomato cream sauce. The pairing was revelatory. The pillowy dumpling revealed the Super Tuscan wine to be elegant and expansive. Of course, for many of us, serving Tignanello requires stretching the budget. After dining at Cantinetta Antinori, however, the wine feels more accessible knowing that the rest of the evening’s shopping requires little more than spinach, ricotta, Parmesan and eggs.

Gnudi: Ricotta-Spinach Dumplings
Serves: 4
Preparation time: 60 minutes
Based on the recipe from Cantinetta Antinori, Flavors of Tuscany

1¼ cup, fresh ricotta cheese
1 cup, leaf spinach, cooked, drained, and finely chopped
3 tbsp, grated Parmesan cheese
2 eggs
¼ tsp, nutmeg, grated
½ cup, flour, as needed
½ lb, melted butter

Preheat the oven to 400°F. Drain the ricotta well and place it in a bowl. Add the thoroughly dried spinach, half the Parmesan, the eggs, the nutmeg and a large pinch of flower. Mix well and let and let rest for at least 30 minutes. Bring salted water to a rolling boil in a large pot. Using your hands or two spoons, form the ricotta mixture into small dumplings. Dust the dumplings with flour and gently drop them into the salted water. When the dumplings rise to the surface, remove them with a slotted spoon and transfer to an ovenproof dish. Top the dumplings with the melted butter and remaining Parmesan cheese and cook in the preheated oven for 10 to 15 minutes. Garnish with a dollop of your favorite tomato sauce. Serve hot.